Creative Critical Reflection

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Camera Angle Assignment

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  REVIEW OF CAMERA ANGLES Inside Out 2 (2024) Producer: Mark Nielsen Mikayla Eugene     I am discussing the different camera angles and the affect it has on the emotion of the audience, in the 2024 film, “Inside Out 2”. I chose this movie because I loved the first movie, and I have not watched the second one yet. I enjoy the concept of the movie and how they move between the different emotions of Joy, Fear, Anger, Disgust, and Sadness to the new emotions, Anxiety, Ennui, Embarrassment, and Envy and Riley. There are many easily identifiable camera angles in each scene that may be used in other films except action and/or science fictions movies. Most to all the camera angles are used and I could not help but notice the one chosen as I sat and watched the movie. The first camera angle that I personally noticed was an over-the-shoulder shot that showed when the referee called a penalty for Riley pushing/tripping a girl on the opposing team. This shot s...
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Into Film Notes

  General mis-en-scene When we think about Mis-en-scene we’re looking at, location, color, props, HMU, costumes and performance Through mis-n-scene, character and narrative development, themes, ideologies, and aesthetics are conveyed to audiences through careful composition of visual elements recorded by the camera mis-en-scene is central Mis-en-scene’s literal meaning is placing on stage but in media, it means everything you see on the screen Set Bordwell and Thompson define the mis-en-scene as setting, props, costumes, lighting and acting The use of real urban setting can add a sense of realism to a drama, and danger and grit to a crime or thriller Set dressing can tell us who characters are and what events might have happened in their past Props is short for property, much consideration goes into the stragtegic inclusion and positioning of functional objects to support the narrative, past, present, and future Camera work and lighting work together to create the end visual that w...
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Camera Angle Notes

  LOW ANGLES any shot below someone’s eye Make a scene more powerfu Degree can be subtle or extreme HIGH ANGLES   Heighten the imbalance of power between subjects Deminish a character Cities and landscapes Characters moving through a larger world When they are 90 above a subject they become an overhead Directly above th subject shooting down Capture horrific details of a crime scene DUTCH ANGLES skews the off image Sense of unease, terror, magnify tension As tensions rise so does the angles EYE LEVEL SHOT Most common and natural height Engaging and dynamic Creates an instant connection to characters SHOULDER LEVEL SHOT illusion of a low angle shot Often used during conversations  Emphasize height difference and power HIP LEVEL every dense often in western (cowboy) because of gun holsters being at hip height To create a tense and exciting sequence KNEE LEVEL The camera placed at subjects knee A great way to track through an environment following a character Showcase charac...
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